1992 FF Meta 2 released as an expansion adding an italics weight, and small caps for bold. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. According to Spiekermann, The purpose of the FF Meta was to create a font that was opposite to the “ Helvetica” font. Please. FF Meta font. FF Meta Individual Styles from $59.00 Complete family of 60 fonts: $1,000.00 FF Meta was designed by Erik Spiekermann and published by FontFont. However, despite positive interest from the German Minister of Telecommunications among others,[9] Bundespost decided not to implement[1] the new exclusive typeface for fear it would "cause unrest". All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. 1998 FF Meta reorganized and released with the following families: FF Meta Normal, FF Meta Book, FF Meta Medium, FF Meta Bold and FF Meta Black, all in roman, italic, small caps and italic small caps, which came with their respective expert and lining figures. FF Meta was not designed with Herman Miller in mind, however. 1993 FF MetaPlus released featuring some fine tuning of characters, spacing, and kerning along with the introducing three new weights: book, medium, and black in roman, italics, roman small caps, and roman small caps italics except for black which lacked small caps. In addition to these demands, to meet Bundespost's needs, the family would also contain three fonts: regular, regular italic, and bold. In 1979 he co-founded MetaDesign, followed by FontShop in 1989 (with Joan Spiekermann) and Edenspiekermann in 2002 (with Susanna Dulkinys). The typeface would have to be a sans-serif to match the client, narrow (but not condensed) to save space, feature strokes thick enough to withstand uneven printing but also light so that individual characters do not run together, contain clearly distinguishable glyphs for similarly shaped characters, versatile capitals and figures that are clear but not obtrusive, and curves, indentations, flares, and open joins to combat poor definition, optical illusions, and over-inking. According to Spiekermann, FF Meta becomes intended to be a “complete antithesis of Helvetica”, which he located “dull and bland”. Deutsche Bundespost chose not to implement the typeface, so in 1991 Spiekermann released it on his own. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Free downloads and tech info on the Mac/Windows fonts. FF Meta is a humanist sans-serif font designed by Erik Spiekermann, Oded Ezer, and Akaki Razmadze. Years later, realizing that Bundespost and Sedley Place Design would never utilize the typeface, Spiekermann with his company MetaDesign decided to continue work on the typeface and eventually published it—along with other orphaned typefaces[11]—under his newly formed publishing label FontFont resulting in the release of FF Meta in 1991. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Though the design may be familiar, Fira is … According to Spiekermann, FF Meta was intended to be a “complete antithesis of Helvetica”, which he found “boring and bland”. [8] The typeface is particularly similar to Syntax, one of Spiekermann's candidate typefaces. According to Spiekermann, FF Meta was intended to be a "complete antithesis of Helvetica", which he found "boring and bland". [3], FF Meta has been adopted by numerous corporations and other organizations as a corporate typeface, for signage or in their logo. At this time Meta was called PT55 (for the regular weight) and PT75 (bold). He has been named Royal Designer for Industry by the Royal British Society of Arts and has received a Lifetime Achievement Award of the German Design Council. Throughout the 1990s, FF Meta was embraced by the international design community[2] with Spiekermann and E. M. Ginger writing that it had been dubiously praised as the Helvetica of the 1990s. He founded the multidisciplinary design consultancy MetaDesign in Berlin, 1979, opening a major San Francisco office in 1992, and another in Zurich. 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